Here’s a biblio challenge for your Summer Solstice! Today, we’re celebrating the scrumptious covers published by New Directions. Can you recognize all 12 covers hiding in plain sight? Leave your guesses in the comments!
In some ways, summer is the time when I get my best education because I have my eyes glued inside books at all times (or at least, in between the FIFA Women’s World Cup games). I am able to read freely and widely; I can linger over phrases; I can sing the words out loud; I can take the time to really study how a piece is put together; I can laugh and cry and feel the emotions rising from the page like aromatic toast; I can be fully entertained as I immerse my mind in the mind of another. Ahh, that sacred intimacy of reading.
This summer, I’ve been working my way through a stack of slim novels, novellas, and collections of poems and stories. I find that I’m more drawn to these smaller tomes, perhaps because I know my time with them is limited to begin with. So I find ways to test that limit by drawing out the experience with them as much as I can. Like stretching out a piece of gum farther and farther until it snaps and breaks in two.
Below, you’ll find a quote from each of the books I’ve read in the past month as well as a link in case you want to own a copy for your own bookshelf! And don’t forget to tell me in the comments what you’ve been reading lately and what is in your queue. Happy reading!
Mostly Dead Things by Kristen Arnett – “There were times I’d thought I knew people. Brynn, who I’d loved more than anything. The other half of me. My father, a man I’d adored, someone I’d considered to be the strongest person on the planet. We spent so much time looking for pieces of ourselves in other people that we never realized they were busy searching for the same things in us.” (You can read my interview with Kristen Arnett here at Michigan Quarterly Review!)
The House on Mango Street by Sandra Cisneros – “In English my name means hope. In Spanish it means too many letters. It means sadness, it means waiting. It is like the number nine. A muddy color. It is the Mexican records my father plays on Sunday mornings when he is shaving, songs like sobbing.”
The Collected Poems of Chika Sagawa (translated by Sawako Nakayasu) – “Dreams are severed fruit / Auburn pears have fallen in the field / Parsley blooms on the plate / Sometimes the leghorn appears to have six toes / I crack an egg and the moon comes out”
Wheeling Motel: Poems by Franz Wright – “River as verb, that’s the assignment, until the next time I fail / you. / And did you know the snail sometimes sleeps for a year? / And you will survive, that’s an order … ” (Check out these incredible recordings of Franz Wright reading poems from Wheeling Motel. My favorite one is “Intake Interview.”)
The Lonesome Bodybuilder: Stories by Yukiko Motoya – “If you genuinely desire not to be alone, I recommend that you take a bicycle saddle as your next partner. You think that’s out of the question? But a saddle is shaped surprisingly like a human face, and once you pull it off the bicycle, you can take each other out anywhere. When you go on vacation, the money you save on the second fare means you can make many more happy memories than if you were with another human. Best of all, a saddle can’t speak.”
Something Bright, Then Holes by Maggie Nelson – “It is what / it is. But / what is it? / What it is— / Some soft / tautology / whose terms/ are touch / Time to give, time / to give it up.”
Autobiography of Red: A Novel in Verse by Anne Carson – “Are there many little boys who think they are a Monster? But in my case I am right said Geryon to the Dog they were sitting on the bluffs The dog regarded him Joyfully” (I devoured this book in two days and immediately put it on my favorite of all-time list. Thank you to this Village Voice interview with artist Elle Pérez for introducing me to Anne Carson’s masterpiece.)
Gasoline by Gregory Corso – “Four windmills, acquaintanceships, / were spied one morning eating tulips. / Noon / and the entire city flips / screaming: Apocalypse! Apocalypse!”
I Am A Season That Does Not Exist in the World by Kim Kyung Ju – “The map of wind that the birds abandoned searched for the labyrinth of birds, but at night it broke quietly into pieces. If, toward a single person, the endodermis of time could forge a connection in the direction of one mind, could my humanity become a cry? Don’t say the inside of every skin has been answered.”
An Untouched House by Willem Frederik Hermans – “Back in the house, entering my bedroom, I had to slide the cat out of the way with the door. He had been lying on the floor behind it and I just managed to grab him by the scruff of the neck as he tried to slip past me to get to the locked room. Together we lay down on the bed while I held him tightly in my arms. “Nothing’s allowed to change,” I whispered in his ear, “we’re staying here. Everything’s staying like it is. One day the war will be over. The Germans will withdraw. And we’ll stay here forever.””
Walter Benjamin Reimagined by Frances Cannon – “The street that runs through houses is the track of a ghost through the walls. The dread of doors that won’t close is something everyone knows from dreams. The path we travel through the arcades is fundamentally just a ghost walk, on which doors give way and walls yield.”
And next up in the summer reading queue:
The Collected Schizophrenias by Esmé Weijun Wang
Lot: Stories by Bryan Washington
The Nickel Boys by Colson Whitehead
Pond by Claire-Louise Bennett
Confessions of the Fox by Jordy Rosenberg – Jordy’s book has been on my reading radar ever since we published his story, “A Monster Stands Guard at the Door of the House of Love,” in Hunger Mountain‘s Issue 22: Everyday Chimeras. Plus I’m a sucker for footnotes!
Belladonna by Daša Drndić – I recently read in Merve Emre’s article at The New York Review of Books that the late Croatian novelist’s Belladonna was perhaps the most ambitious novel of the twenty-first century so far…and now I’m obsessed with tracking it down and finding out what said ambition looks like!
Here’s an all new Book Cover Scavenger Hunt for my book-loving friends!
Today’s tessellated collage features 8 technicolor covers from Soft Skull Press. Can you name them all? Leave your guesses in the comments below!
P.S. What independent publisher should be featured in the next Book Scavenger Hunt?
It’s been a little while since I made a Book Scavenger Hunt for y’all. So it’s your lucky day! This time, the fragments come from 10 stunning covers from Tin House Books. Can you find and name them all?
Leave your guesses in the comments below!
I’ve recently fallen in love with the Brooklyn-based nonprofit indie press, Archipelago Books. I love their satisfyingly minimalist book designs. I especially love their mission to publish beautiful translations of classic and contemporary world literature. This includes literature written originally in Arabic, Spanish, Norwegian, Dutch, Tamil, Russian, Slovenian, Greek, and more. According to the press’s website, “less than three percent of new literature published in the United States originates outside the Anglosphere.” This is why Archipelago’s work is so important—to find illuminating international writers that American readers might not otherwise encounter.
So far, I’ve only read Love by Hanne Ørstavik (winner of the PEN Translation Prize and a finalist for the 2018 National Book Award for Translated Literature), which was hauntingly outstanding. Now, I can’t wait to go back and read the entire Archipelago catalogue.
Can you name all 14 Archipelago Books titles featured in these slivers?
Here’s a new challenge for you—a Book Cover Scavenger Hunt Round Two!
Can you name all 20 beauteous Graywolf Press titles featured in this mosaic?
Leave your guesses in the comments below!
(Want another challenge? Check out my previous collage of titles from Riverhead Books!)
Last Friday, our publishing class had the great opportunity to Skype with Jynne Dilling Martin of Riverhead Books. We chatted all about the history of Riverhead, the changes that social media has made for the industry, and tips on how to break into the NYC publishing scene.
One thing that particularly stuck with me from Jynne’s talk was how the design team at Riverhead strives to craft a unique “visual identity” for each title. Essentially, this means that if you eliminated the text from each cover, you’d still be able to identify the books based on the graphics alone.(Remember this Buzzfeed quiz on classic book covers?)
So in order to test this, I created a fun collaged scavenger hunt, in which I have tucked 18 of Riverhead’s stunning book covers inside. Some are more subtle than others. Can you find them all? Leave your guesses in the comments below!
I’m attempting to pack my bags (I’m a horrible procrastinator when it comes to packing) as I leave tomorrow for a two-week trip to Japan! I’m nervous excited with the arrow pointing more to the excited portion of the scale. I’m reviewing my hiragana/katakana charts and stuffing as many notebooks as physically possible into my carry-on. I’ll be palling around with local cats (named Mimi and Otsuka for all you Kafka on the Shore lovers) in Hiroshima/Miyajima, Kyoto, and Tokyo. I went to Japan as a wee lass in 2005, but I don’t remember too much except that I loved it. I have a few places I know I want to check out this time (e.g. the Atomic Bomb Dome, Itsukushima Shrine, Fushimi Inari, Yayoi Kusama Museum), but if you have any spots you think I should check out, I’d love to hear from you! Mostly, I just want to soak up as much history and culture to add to the novel I am writing — and if that means hanging on a park bench or sipping green tea in a cafe for half the day, then I’m down for that. Book-wise, I’m bringing Akutagawa’s Rashōmon and Jean Genet’s The Thief’s Journal, plus the Poison issue of Tin House, for all those long hours on the plane and the Shinkansen.
I think this trip is coming at the perfect time—a reset at the top of the New Year.
But today, I take a few moments to look back.
This was a glimpse of 2018:
-My first trip to the AWP conference in Tampa, Florida, and celebrating the publication of this beautiful issue of Hunger Mountain I had the pleasure to help make!
-Finishing my third year of beginning every day with a yoga routine (will you join me in the challenge as I enter my fourth year?)
-The launch of a new series of (almost weekly) posts called Sandbox Notes where I collect and curate words, links, facts, thoughts, descriptions, and objects of interest into creative visual pieces. Learn the story behind my Sandbox Notes here!
-Tapping into a state of delicious movement with Eiko Otake, and hearing brave hibakusha share their stories of the atomic bombs.
-There were tears: family illnesses, heartbreaks, stress, listening to Visions of Gideon.
-There were fears. Most of them seen on TV.
-There were very good friends—new and old—who made my life a little brighter.
-My creative work was accepted three times this year, with two essays forthcoming in 2019 (thank you so much to all of the editors of Queen Mob’s Teahouse, Windmill, and Entropy, and to Glimmer Train for giving my piece “Frozen Locks” an Honorable Mention in the Jan/Feb Short-Story Award for New Writers). I continued writing blog content for the Michigan Quarterly Review, as well as published articles and interviews in Artscope Magazine, Everything is Music, Storyboard, and Perpetual Beta. And my interview with the amazing Rene Denfeld was published in the back of her paperback book!
-Attending the Kenyon Review Writers Workshop and meeting Carl Phillips in real life.
-I started writing a novel!
-Somehow I read 82 books (message me for the full list!) and narrowed it down to 20 “favorite things I read this year.” An eclectic bunch of old and new titles, here they are hand-drawn, in no particular order:
Her Right Foot – Dave Eggers
The Haunting of Hill House – Shirley Jackson
My Favorite Thing is Monsters Vol 1 – Emil Ferris
Vice – Ai
Heart Spring Mountain – Robin Marie MacArthur
Vermilion Sands – J.G. Ballard
Indictus – Natalie Eilbert
Census – Jesse Ball
The Principles of Uncertainty – Maira Kalman
The Bell Jar – Sylvia Plath
Confessions of a Mask – Yukio Mishima
Dialogues in Paradise – Can Xue
Premonitions – Elizabeth Schmuhl
There There – Tommy Orange
The Country Between Us – Carolyn Forché
For Other Ghosts – Donald Quist
Man v. Nature – Diane Cook
Severance – Robert Olen Butler
Kafka on the Shore – Haruki Murakami
Everything Under – Daisy Johnson
Favorite moving pictures I saw this year: a Monty Python Flying Circus marathon, Maniac, Alias Grace, The Crown, The Lobster, and Call Me By Your Name.
2018 sounded like Sufjan Stevens, Poliça, Wilco, Death Cab for Cutie, AURORA, the Westworld soundtrack, The National, Father John Misty, Neil Young, and of course, my forever faves — Emancipator and Fleet Foxes.
Next year will see graduation and beyond, the great job search, and more. But for now, Japan! And being grateful for each day as it comes. Peace to all <3