In the collection, the mouths of the three main speakers struggle to articulate a kinder world still unfathomable to them, in efforts to forge a path there. Articulation is conjuring. I believe it’s the realest magic our bodies are capable of.
I recently talked with poet Jihyun Yun about her prize-winning debut poetry collection, Some are Always Hungry; the mouth as metaphor; a few favorite Korean fairy tales; and the ways in which language connects food, women, and violence. You can read the full interview here on The Rumpus.
I do find it very troubling in itself that it’s easier to imagine the female body as food, as something hunted, as prey, but I think it’s also speaking to a truth of how language, too, can be a knife, and how it is often brandished.
Find out more about Jihyun Yun on jihyunyun.com. Jihyun’s book Some are Always Hungry (September 2020) is available from University of Nebraska Press.
If you’re looking for ways to “fix” something that isn’t “broken,” then you’re really doomed to go on searching for answers that aren’t there. And really what needs adjusting are the kinds of questions we ask. There’s a parallel, of course, to how we think about neurodiversity—so much of the obsession is with “fixing” something. But shouldn’t we be in the business of listening instead?”
I recently talked with poet Oliver de la Paz, author of the outstanding poetry collection,The Boy in the Labyrinth, about mythic metaphors, the problem with story problems, empathy in the digital era, and the role of poetry in the endless exploration of ourselves. You can read the full interview here in The Common.
There’s something beautiful in the attempt to reach beyond ourselves, yes? Beautiful but also a kind of reaching into the void. You’re never sure the vehicle your tenor is riding on will get you where you need to go.
Find out more about Oliver de la Paz at oliverdelapaz.com. Oliver’s book The Boy in the Labyrinth (July 2019) is available from University of Akron Press.
We have the choice to either give in to inevitability or to scream something back into the void.
I recently talked with poet Brandon Amico about many of the central themes in his poetry collection, Disappearing, Inc.: social media, obsessions, politicized violence, climate change, and the role of poets & writers today. You can read the full interview here in The Adroit Journal.
“We create, in part, to fill the gaps that have opened in our lives, or that will open one day, because everything is on a limited basis.”
Find out more about Brandon Amico at brandonamico.com. Brandon’s book Disappearing, Inc. (March 2019) is available from Gold Wake Press. Brandon is also a freelance copywriter who helps other authors with their book marketing. See his freelance website here.